ART BEYOND THE HORIZON
A private selection of modern and contemporary art, curated by MUK exclusively for AllinBlusive guests — extending the experience beyond the journey and into everyday life.
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Summer
Memories
Rupprecht Geiger’s colour carries the brightness of summer beyond the journey — bringing light, energy and a sense of distance into everyday life..
Rupprecht Geiger
LIVING WITH COLOUR
A work of art can preserve a mood long after the summer has passed — shifting the atmosphere of a room through colour, light and presence.
Rupprecht Geiger
SMALL SCALE. STRONG PRESENCE.
Even smaller works can transform a space — quiet reminders of colour, light and the feeling of being away, brought back into everyday life.
Request Private AdvicePRIVATE SELECTION: Rupprecht Geiger
A pioneer of autonomous colour in post-war European painting — radical, luminous and unmistakably present.
Rupprecht Geiger
Zurückgehn Weitergehn Fortgehn
Farbserigraphie auf Karton. 1966
35 × 57 cm
Signiert und nummeriert im Impressum des Buches
Edition 300. Nummer 37
Hochwertig gerahmt, staubdicht geschlossen,
entspiegeltes UV-Museumsglas,
Rahmung im Preis enthalten.
1080 €
NATURE UNDER CONSTRUCTION
Organic forms meet constructed rhythm — bringing colour, movement and a distinctly contemporary tension into the room.
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MAGRICOLLAGES
Fragments of image, colour and digital intervention come together in layered compositions that move between recognition and abstraction.
Martina ZieglerPRIVATE SELECTION: Martina Ziegler
A contemporary position between painting and digital transformation — rethinking portraiture through colour, fragmentation and structure.
MArtina Ziegler
Multiple Portraits · “Waiting for you on a sunny day”
Malerei / Crossover Painting
C Print auf Aludibond unter Acrylglas versiegelt · 2025
80 × 80 × 5 cm
Edition: 6 + 1 A.P.
MArtina Ziegler
”Multiple Portraits · “the sunny days ahead”
Malerei / Crossover Painting
C Print auf Aludibond unter Acrylglas versiegelt · 2025
80 × 80 × 5 cm
Edition: 6 + 1 A.P.
MArtina Ziegler · Abstract Portraits, Magricollage
„The Machine Garden Where Alice‘s Kisses Bloom II“
Malerei / Crossover Painting
C Print auf Aludibond unter Acrylglas versiegelt
Schattenfugenrahmen, Alu matt schwarz
80 × 60 × 5 cm
Edition: 3 + 2 A.P. / Werk: 1/6
COLOUR IN SPACE
Bold geometry and sharply defined colour fields turn the wall into an active part of the composition — precise, architectural and immediately present.
Request Private AdvicePRIVATE SELECTION: Georg Karl Pfahler
A key figure in post-war European colour and hard-edge painting — reducing form to bold geometry, spatial tension and autonomous colour.
COLOUR IN REFLECTION
Light, colour and mirrored surfaces shift with every change of perspective — turning the object and its surroundings into one visual experience.
Request Private AdvicePRIVATE SELECTION: ALEXANDER DEUBL
A contemporary sculptural position exploring colour, reflection and perception through glass, mirrored surfaces and spatial interaction.
COLOUR IN SPACE
Sibylle Wagner’s light objects extend colour beyond the surface — projecting it into the room through transparency, reflection and shifting light.
Request Private AdvicePRIVATE SELECTION: SIBYLLE WAGNER
Sibylle Wagner works with colour, light and translucent materials to create spatial works whose appearance changes with illumination, perspective and surroundings.
LIGHT IN MOTION
Adolf Luther’s lens objects transform light, reflection and perception into a spatial experience — changing with the viewer, the room and the surrounding light.
Request Private AdvicePRIVATE SELECTION: ADOLF LUTHER
A pioneering figure in post-war light art — using lenses, reflection and transparency to make light itself the medium.
ADOLF LUTHER
Spiegelobjekt
Spherical concave mirror object with 6 semi-transparent concave mirror steles, flat mirror, Plexiglas and wood · 1973
243,7 x 218,4 x 8,8 cm
ADOLF LUTHER
LinseNobjekt
Glass lens and mirrored glass in an acrylic glass and wood case · 1969
39 × 39 × 7 cm
TRANSPARENCY IN SPACE
Frank Oehring’s transparent object turns construction, light and perspective into a shifting spatial experience — precise in form, yet constantly changing with its surroundings.
Request Private AdvicePRIVATE SELECTION: FRANK OEHRING
Frank Oehring’s work with light and space is closely linked to the ICC Berlin, for which he developed its illuminated guidance system and monumental light sculpture in the 1970s.
FRANK OEHRING
RAUMOBJEKT I und II 1969/70
Acrylglas, Messing verchromt Modell M 1: 2
Orginal Kunstsammlung TU Berlin Hauptgebäude
70 × 75 × 60 und 70 × 75 × 30 cm
FRANK OEHRING
RAUMOBJEKT I 1969/70
Acrylglas, Messing verchromt Modell M 1: 2
Orginal Kunstsammlung TU Berlin Hauptgebäude
70 × 75 × 60 cm
MATERIAL IN TRANSFORMATION
Sophie Rowley turns textile materials into sculptural surfaces in which structure, relief and subtle shifts of light become part of the work itself.
Request Private AdvicePRIVATE SELECTION: SOPHIE ROWLEY
Working between art, material research and design, Sophie Rowley develops a distinctive contemporary language from textiles, texture and transformation.
LIGHT IN RELIEF
In Günther Uecker’s white embossed prints, structure replaces colour: light and shadow activate the surface, revealing movement through the changing relief of the paper.
Request Private AdvicePRIVATE SELECTION: GÜNTHER UECKER
One of the defining figures of post-war German art, Uecker developed a radical visual language in which material, structure, light and movement become inseparable.
GÜNTHER UECKER
Gott Thot
Prägedruck auf Bütten, 2002, mit zugehörigem Schriftblatt.
70 × 50 cm, hochwertig gerahmt.
Signiert und datiert unten rechts, nummeriert unten links. Edition von 120, Nummer 24.
Blatt 5 aus dem Mappenwerk Graphein von 2002 (42-teilig, davon 12 Prägedrucke).
Zertifikat/Werkverzeichnis: Koelen, L 0203.
Provenienz: Privatbesitz, Deutschland.
GÜNTHER UECKER
Reise Kadmos
Prägedruck auf Bütten, 2002, mit zugehörigem Schriftblatt.
70 × 50 cm, hochwertig gerahmt.
Signiert und datiert unten rechts, nummeriert unten links. Edition von 120, Nummer 24.
Blatt 7 aus dem Mappenwerk Graphein von 2002 (42-teilig, davon 12 Prägedrucke).
Zertifikat/Werkverzeichnis: Koelen, L 0203.
Provenienz: Privatbesitz, Deutschland.
GÜNTHER UECKER
Gesang Muezzin
Prägedruck auf Bütten, 2002, mit zugehörigem Schriftblatt.
70 × 50 cm, hochwertig gerahmt.
Signiert und datiert unten rechts, nummeriert unten links. Edition von 120, Nummer 24.
Blatt 10 aus dem Mappenwerk Graphein von 2002 (42-teilig, davon 12 Prägedrucke).
Zertifikat/Werkverzeichnis: Koelen, L 0203.
Provenienz: Privatbesitz, Deutschland.
